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- <text id=89TT1548>
- <title>
- June 12, 1989: Let's Misbehave
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1989
- June 12, 1989 Massacre In Beijing
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- CINEMA, Page 73
- Let's Misbehave
- </hdr><body>
- <p>By Richard Corliss
- </p>
- <qt> <l>SCENES FROM THE CLASS STRUGGLE IN BEVERLY HILLS</l>
- <l>Directed by Paul Bartel;</l>
- <l>Screenplay by Bruce Wagner</l>
- </qt>
- <p> The big machines are parading by -- the Indiana Joneses and
- Star Treks and Ghostbusters -- wearing roman numerals like kill
- counts on their armor plate. In a steamroller summer, what's a
- low-budget comedy to do? Strut as brightly and bawdily as
- possible. Anyway, that is the tactic of the new film from Paul
- Bartel (Eating Raoul), which intrudes on the monster-movie scene
- like a kid blowing a May Day raspberry in Red Square.
- </p>
- <p> There's not much class, but plenty of struggle, at the
- Lipkin mansion in Beverly Hills. Oh, sure, the rich know brand
- names: Harry Winston's jewels drape each mandarin wrist, and
- much Steuben Glass stands about, waiting to be shattered; and
- at the funeral for the Lipkins' pet pooch, Michael Feinstein
- plays piano. But the Lipkins and the Hepburn-Saravians, their
- haughty next-door neighbors, are egalitarians when considering
- where their next bedmate should come from. By the end of a
- weekend in the country, two elegant matrons will have been
- seduced by their former husbands, one of whom is dead. And
- everybody upstairs will have slept with everybody downstairs.
- </p>
- <p> Clare (Jacqueline Bisset), a onetime sitcom queen keen for
- a comeback, has buried her swinish husband Sidney (Paul
- Mazursky), who materializes and pledges his infernal love to
- her. Clare's neighbor, Lisabeth (Mary Woronov), has just moved
- in with her daughter Zandra (Rebecca Schaeffer) because the
- exterminators are at her house, removing every trace of her
- ex-husband. Now these women and two others must fend off, or hop
- on, a platoon of randy males: Lisabeth's wormy ex (Wallace
- Shawn); her playwright brother (Ed Begley Jr.); her invalid
- prodigy son (Barrett Oliver); and two manservants, sleazy,
- pansexual Frank (Ray Sharkey) and Juan, the sensitive stud
- (Robert Beltran). "We're from different stratagems of society,"
- Juan croons to Lisabeth. "But I want to cross over. Like Ruben
- Blades."
- </p>
- <p> The crossing of class and sexual borders is the rule in
- similar high comedies: Noel Coward's Hay Fever, Jean Renoir's
- The Rules of the Game, Ingmar Bergman's Smiles of a Summer
- Night. But those were about flirtation; director Bartel (who
- also plays Clare's snooty diet doctor) wants to talk about
- performance. Though set in the right now, Scenes is really a
- nostalgia piece from the swinging '70s, when coupling could be
- a game without emotional consequence or physical risk.
- </p>
- <p> Scenes is a game too, cunningly constructed, sleekly
- appointed, exuberantly performed by a cast that picks up where
- bad taste leaves off. This one is not for the kids. Even adults
- will need moral shock absorbers; Scenes spits out its wit like
- a Heathers for grownups. Its pleasures may seem arid or acid to
- anyone who couldn't enjoy, say, a Restoration comedy as it might
- be played on Dynasty. But in a season when most movies are
- remakes of most other movies, Scenes is an original. And if you
- are in the right black mood, you could laugh till your nose
- bleeds.
- </p>
-
- </body></article>
- </text>
-
-